The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 41,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 15 sold-out performances for that many people to see it.
2013, eh? That’s just under twice the number of views of last year, so I must be doing something right. Or I’m just getting better at clickbaiting.
When I was a young man, and I was first introduced to Dazzle Ships, I remember taking my parents’ original vinyl to my gran’s house so that I could listen to it, because we didn’t have a record player anymore. I had absolutely no conception of the possibility that Orchestral Manoeuvres in the Dark might one day reform, let alone produce new material. It was just one of those things that was in the past. Gone. Over. Finito. The mosquito trapped in amber with its precious payload of saurian DNA.
It’s not often that a band who are consistently brilliant live manage to surpass themselves; but regardless of the logistics of how they managed it, Orchestral Manoeuvres in the Dark delivered a stellar performance on Tuesday the 2nd at the Glasgow Royal Concert Hall, in aid of their new album History of Modern.
My legs hurt. My arms hurt. My damn midriff hurts. These, however, are the hallmarks of an absolutely bangin’ night.
With holidays taken so that I could prepare in style by listening to their entire back catalogue, the evening couldn’t come soon enough. A proper concert is one of the few things in my life I can actually get properly excited about.