I’ve been putting off adding audio to Exon for, at this point, years. I didn’t want to tackle it until all my other systems were pretty solid — I didn’t want to shove in a load of work to manage audio sources and play effects if there was a risk that I’d be re-engineering half of it after the fact.
Well, things have now been stable enough for long enough and… Well, I got put on furlough by my employer. What else was I going to do with the extra time locked in the flat but suck up a major project?
It’s a new decade, and Exon is officially six years old. That’s three times as old as my previous record holder, the WC3 total conversion Project Y4, which clocked in at two years. And it’s not even done yet! Not even close to done!
The Arena, however, is done. You can jump in, smash up some bots, and either win or lose. Which means it’s time to FEATURE CREEP YEAAAAAAAAAH! (It’s not feature creep if they were planned all along.)
So, a few months ago, I paused work on Exon’s main campaign to focus on building the Arena. This approach came with some risks but I decided to swallow them because this felt like it would be the fastest route to something genuinely playable.
I was right, because that was about three months ago and for the last few weeks I’ve had it out at local game dev events and being played by real human beings. It is by no means a finished game, but it is a fully-functioning, self-contained scenario that stresses the breadth of the game’s core combat mechanics. A vertical slice. Objective complete!
It’s funny because my mechs’ primary attacks are vertical slices.
I was at a game dev meet-up about a month ago now, where my pals sassed me silly for not having shipped a game yet. They’re right to do so — although I vigorously resist accusations of feature creep (it’s not creep if it’s all part of the original plan), it’s true that I’m making something rather large that isn’t going to be releasable until it’s “done” (this is the true curse of building narrative-driven things).
About a year ago, I set down my plan for the first release: a self-contained prologue to a bigger campaign, which would be short enough to manufacture in a sensible time-frame, but broad enough to stress out most of my features. “Sensible time-frame” is, of course, relative and it’s still got a long way to go.
So I asked myself: what’s the minimum viable game? What is the purest, simplest expression of top-down mech action that I can build and put in front of people?
It just keeps going and going and going and going and going and going and…
At 12:59 World Editor is back up and running after a short lunch break. Sausage rolls — sweet rapture! The perfect food for any mapping binge.
It’s totes like 24 or something. Toilet breaks all happen off-screen here, too!
Let’s leave terrain for now, that’s easy. Or at least, will be easy but since I plan to make some nice big prefab props may be a little time consuming. Let’s see how far we can get before lunch-time rolls around.
The Worm Ouroboros, that forever eateth its own tail.
WtFSA spawned RDZArena spawned This Wreckage… Spawned Arena Y4 spawned Project Y4 spawned… Arena Y4 again?